{"id":5476,"date":"2014-03-02T23:38:41","date_gmt":"2014-03-03T07:38:41","guid":{"rendered":"https:\/\/alivinglibrary.org\/archive-site\/?page_id=5476"},"modified":"2024-02-15T12:59:26","modified_gmt":"2024-02-15T20:59:26","slug":"bibiliography","status":"publish","type":"page","link":"https:\/\/alivinglibrary.org\/archive-site\/press\/bibiliography","title":{"rendered":"Bibiliography"},"content":{"rendered":"<h3>\u00a0<\/h3>\n<h3>Selected\u00a0<span style=\"line-height: 1.5em;\">Articles, Interviews, Catalogs, and Book Excerpts About Founder &amp; Director, Bonnie Ora Sherk &amp; Her Projects:<\/span><\/h3>\n<h4>\u00a0<\/h4>\n<h4>2013<\/h4>\n<ul>\n<li>Galpin, Pierre Francois, Independent Curators International Website,\u00a0<a href=\"http:\/\/curatorsintl.org\/posts\/cultivating-the-human-ecological-garden-a-conversation-with-bonnie-ora-sher\" target=\"_blank\" rel=\"noopener\">Cultivating The Human &amp; Ecological Garden:\u00a0\u00a0A Conversation With Bonnie Ora Sherk<\/a><span style=\"text-decoration: underline;\"><br \/><\/span><\/li>\n<li>\n<p>Cohn, Teri, SFAQ, Issue 14,\u00a0Bonnie Ora Sherk, Interview, pgs. 78-83, ill.<\/p>\n<\/li>\n<li>\n<p>Smith, Stephanie, Feast:\u00a0\u00a0Radical Hospitality In Contemporary Art, Smart Museum of Art, University of Chicago,Interview With Bonnie Ora Sherk, pgs. 126-133, ill.<\/p>\n<\/li>\n<\/ul>\n<h4>\u00a0<\/h4>\n<h4>2012<\/h4>\n<ul>\n<li>\n<p>Spaid, Sue,\u00a0Green Acres, Contemporary Arts Center, Catalog, pgs. 3, 7 16, 17, 25, 43,75 95, 98, 109, 111-113, 124,125, 130,146, 167, 181, 191, 220, 222, ill., Back Cover<\/p>\n<\/li>\n<li>\n<p>Weintraub, Linda,\u00a0<em>ECO Art:\u00a0In Pursuit of a Sustainable Planet,<b><\/b><\/em><b>\u00a0<\/b>UC Press<\/p>\n<\/li>\n<li>Angie Smith,\u00a0<a href=\"http:\/\/streetsblog.net\/2012\/02\/24\/pop-up-urbanism-the-origins-of-a-movement\/#more-122318#more-279151\" target=\"_blank\" rel=\"noopener\">Pop-Up Urbanism: The Origins of a Movement<\/a><b>,\u00a0<\/b>Streetsblog Network\u00a0<\/li>\n<li>Aurash Khawarzad, Pattern Cities,\u00a0<a href=\"http:\/\/patterncities.com\/archives\/1203\" target=\"_blank\" rel=\"noopener\">Catching Up To 1970<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2011<\/h4>\n<ul>\n<li>\n<p>Anne Kersten,\u00a0<em>Urban Farming \u2014 Rural Art: die Kunst des Essens und Bewahrens,<\/em>\u00a0\u00a0\u00a0Kunstbulletin, pgs. 4-44, ill.;10\/2011, Switzerland<\/p>\n<\/li>\n<li>\n<p>Lewellen, Constance and Moss, Karen,\u00a0<em>State of Mind: New California Art Circa 1970,<\/em> UC Press, pgs. 3, 23-28, 56, 136, 141, 144-45, 169, 171,\u00a0\u00a0202-3, 216, 250, 252, ill.<\/p>\n<\/li>\n<li>\n<p>Schimmill, Paul,\u00a0<em>Under The Big Black Sun:\u00a0California Art 1974-1981;<\/em> Delmonico &amp;\u00a0Prestel, Munich, London, New York, pgs. 19, 25, 36-37, 39, 250, 275, 280, ill.<\/p>\n<\/li>\n<li>\n<p>Sommer, Danielle,\u00a0<a href=\"http:\/\/dailyserving.com\/2011\/12\/a-california-state-of-mind-circa-1970\/\" target=\"_blank\" rel=\"noopener\"><i>A California State of Mind, Circa 1970<\/i><\/a>, DAILY SERVING, an international forum for contemporary visual art blog, December 13, 2011, ill.<span style=\"text-decoration: underline;\"><br \/><\/span><\/p>\n<\/li>\n<li>\n<p>\u00a0Mizota, Sharon,\u00a0<em>PST, A to Z: \u2018State of Mind\u2019 at OCMA<\/em><i>,<\/i><i>\u00a0<\/i>Culture Monster, Los Angeles Times\u00a0Blog, \u00a0 November 28, 2011, ill.<\/p>\n<\/li>\n<li>\n<p><em>San Francisco Magazine:<\/em> Art Page-Older, but not necessarily wiser, Dec 2011,pg 42, ill.<span style=\"line-height: 1.5em;\">\u00a0<\/span><\/p>\n<\/li>\n<\/ul>\n<h4>\u00a0<\/h4>\n<h4>2010<\/h4>\n<ul>\n<li>\n<p>Dearen, Jason,\u00a0<em>\u201cPlans Percolate to Revive Some SF Native Creeks\u201d<\/em>, April 24, 2010, Associated Press, global distribution, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2009<\/h4>\n<ul>\n<li>\n<p>Eaton, Joe; Sullivan, Ron,\u00a0<em>\u201cSF History Lesson Runs Through Islais Creek\u201d<\/em>, SF Chronicle, January 14, 2009, ill.<\/p>\n<\/li>\n<li>Eaton, Joe; Sullivan, Ron,\u00a0<em>\u201cUrban Students Get To Study At Living Library\u201d,<\/em>\u00a0SF Chronicle, January 7, 2009, ill.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2008<\/h4>\n<ul>\n<li>\n<p>Sing Tao Daily News,\u00a0<em>\u201cChinatown Living Library Breaks More Ground\u201d,<\/em>\u00a0May 30, 2008<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2007<\/h4>\n<ul>\n<li>\n<p>Will Bradley, Charles Esche, Editors,\u00a0<em>Art &amp; Social Change,\u00a0<b><\/b><\/em>Tate Publishing\/Afterall, pgs. 18, 29, 227,228,229, 470 ill.<\/p>\n<\/li>\n<li>\n<p>Tim Holt, <em>\u201cStreet Dreams \u2013 Can one woman\u2019s beautiful vision bring life back to\u00a0Cesar Chavez Street ?\u201d<\/em>, San Francisco Chronicle Magazine, November 18, 2007, pgs.16-21, ill.<\/p>\n<\/li>\n<li>\n<p>Cornelia Butler, <em>\u201cWACK ! \u00a0Art And The Feminist Revolution\u201d<\/em> MIT Press &amp; Museum of Contemporary Art, Los Angeles; pgs. 103, 297-298, 508, ill.<\/p>\n<\/li>\n<li>Bay Nature Magazine, Inside Cover<i>, &#8220;A Living Library&#8221;<\/i>, April-June, 2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2006<\/h4>\n<ul>\n<li>\n<p>California Shade, California Dept. of Forestry &amp; Fire Protection,\u00a0<em>\u201cLife Frames, Inc. Uses Urban Forestry Grant to Plant 200 Trees\u201d,\u00a0<\/em>Fall, 2006, ill.<\/p>\n<\/li>\n<li>\n<p>San Francisco Examiner; <em>\u201cToday\u2019s Newsmakers\u201d,<\/em><b>\u00a0<\/b>pg 5, July 18, 2006<\/p>\n<\/li>\n<\/ul>\n<h4>\u00a0<\/h4>\n<h4>2005<\/h4>\n<ul>\n<li>\n<p>Bradley, Will,\u00a0<i>Let It Grow<\/i>, Frieze:\u00a0\u00a0Contemporary Art &amp; Culture, London pgs ; ill.<\/p>\n<\/li>\n<li>\n<p>Peter Selz, <em>\u201cArt of Engagement&#8221;<\/em>, University of California Press, pgs 15, 228-229;259; ill.<\/p>\n<\/li>\n<li>Zahid Sardar, \u201c<em>Living Truths<\/em>\u201d, San Francisco Chronicle Magazine, May 22, 2005, Cover\u00a0&amp; pgs. 4-6, ill.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2004<\/h4>\n<ul>\n<li>\n<p>Mary F. Albert, <em>\u201cLiving the Life\u201d,<\/em>\u00a0San Francisco Examiner, August 5, 2004, pg. 8, ill.<\/p>\n<\/li>\n<li>\n<p>Ethan Fletcher, <em>\u201cRoots of the Problem&#8221;,\u00a0<\/em>\u00a0SF Examiner, May 25, 2004, pg.5, ill.<\/p>\n<\/li>\n<li>Dr, Noel J. Brown, <em>\u201cLetter To The Editor\u201d,<\/em>\u00a0Main Street Wire, Roosevelt Island, NYC,\u00a0\u00a0\u00a0April 3,2004, pg.6.<\/li>\n<li>\n<p>Lutz, Dick,\u00a0<em>Living Library Releases Plans For Cultural Park at Southpoint,<\/em> Main Street Wire, Roosevelt Island, NYC, March 20, 2004, Cover &amp; pg. 10-Centerfold, pgs. 8-9, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2003<\/h4>\n<ul>\n<li>\n<p>Espinosa, Henni Jay P.,\u00a0<em>&#8220;A Living Library, The Community&#8217;s Garden of Hope&#8221;,\u00a0<\/em>Manila Bulletin, Kababayan Edition, Cover Story, August 14-20.2003 cover&amp; pp. 8,9; ill.<\/p>\n<\/li>\n<li>\n<p>Shai, Jack,\u00a0<em>&#8220;A Living Library<\/em>&#8220;, Singtao Daily News, May 8, 2003; page F;, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2002<\/h4>\n<ul>\n<li>\n<p>Fuller, Diana Burgess, Salvioni, Daniela, ed.\u00a0<em>\u201cArt \/ Women \/ California\u00a0\u00a01950-2000: Parallels and Intersections&#8221;,<b>\u00a0<\/b><\/em>University of California Press, Berkeley, California,\u00a0pp. 7, 8, 20-21, 107, 109, 168, 229-231, 232; ill.<\/p>\n<\/li>\n<li>\n<p>Brookman, Donna,\u00a0<em>\u201cTerms of Engagement \u2013 Radical Communalism in Bay Area\u00a0Art\u201d<\/em>, SCULPTURE Magazine, July\/August, 2002, pp. 47, 48, ill.<\/p>\n<\/li>\n<li>\n<p>Rich, Deborah,\u00a0<em>\u201cOMI\/Excelsior Library and Think Park, a new way to frame life\u201d<\/em>; San Francisco Chronicle, May 8, 2002, pg. G6<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2001<\/h4>\n<ul>\n<li>\n<p>Thomas, Laura,\u00a0<em>\u201cLessons learned from getting their hands dirty\u201d<b>,<\/b><\/em>\u00a0San Francisco Chronicle, May 5, 2001, pg. 6, ill., Home Section<\/p>\n<\/li>\n<li>\n<p>Thomas, Laura,\u00a0<em>\u201cAdult mentor helps kids bring life to urban school grounds\u201d<\/em>, San Francisco Chronicle, May 5, 2001, pg. 6, ill., Home Section<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2000<\/h4>\n<ul>\n<li>\n<p>Cohn, Terri,\u00a0<em>\u201cRe-envisioning Our Urban Ecology-Bonnie Sherk\u2019s rural enclaves-Celebrating 30 Years\u201d<\/em>, Artweek, December, 2000, Volume 31, Issue 12, pp; 12, 27, ill.<\/p>\n<\/li>\n<li>U.S. Department of Education, Community Update, No. 77, May, 2000<b>, <\/b><em>&#8220;PFIE\u00a0\u00a0Partner Nominated For A Smithsonian Award&#8221;<\/em>\u00a0p. 4, ill.<\/li>\n<li>\n<p>ED MATTERS In Region 1X &#8211; U.S. Department of Education, Region 1X, Spring, 2000<b>, <\/b><em>&#8220;A Living Library Makes Learning Bloom For San Francisco\u00a0Students&#8221;<\/em>, pp.4-5, ill.<\/p>\n<\/li>\n<li>Mansfield, Sonia,\u00a0<em>&#8220;Gardens to Link Three School Campuses&#8221;,<\/em>\u00a0San Francisco Independent, April 3, 2000, pp 1,5, ill.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1998<\/h4>\n<ul>\n<li>\n<p>Kastner, Jeffery, ed., Brian Wallis, Survey,<em> Land And Environmental Art<\/em>,<b>\u00a0<\/b>Phaidon Press Limited, London, England, pp. 156, 268, 293; ill.<\/p>\n<\/li>\n<li>Stiles, Kristine &#8211; article, Paul Schimell &#8211; organizer of exhibit,\u00a0\u00a0Out of Actions &#8211; Between Performance and the Object, 1949-1979,\u00a0&#8220;<em>Uncorrupted Joy:\u00a0International Art Actions<\/em>&#8220;,\u00a0Museum of Contemporary Art, Los Angeles, Thames and Hudson, London, pp. 319-321; ill.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1996<\/h4>\n<ul>\n<li>\n<p>Selz, Peter, Stiles, Kristine (eds)\u00a0<i>Theories and Documents of Contemporary Art, A Sourcebook of Artists\u2019 Writings<\/i>, UC Press, Berkeley<\/p>\n<\/li>\n<li>Cohn, Terri<b>, <\/b><em>&#8220;Bonnie Sherk:\u00a0\u00a0Projects and Plans&#8221;<\/em>\u00a0at Canessa Gallery, Artweek, September, 1996, Volume 27, Number 9, pg. 21; ill. review of exhibition<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1995<\/h4>\n<ul>\n<li>\n<p>Nash, Steven, ed, Constance Llewellyn,\u00a0<em>Facing Eden: 100 Years of Art in the Bay Area<\/em>,\u00a0Catalog &#8211; Fine Arts Museums of San Francisco and University of California Press, Berkely, L.A., London, pp. 122-124; ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1994<\/h4>\n<ul>\n<li>\n<p>Lacy, Suzanne, ed.,\u00a0<em>Mapping The Terrain: New Genres in Public Art,<\/em> Bay Press, Seattle, Washington, pp. 275-276; ill.<\/p>\n<\/li>\n<li>\n<p>Broude, Norma &amp; Garrard, Mary D., ed., <em>The Power of Feminist Art: The American Movement of the l970&#8217;s, History and Impact<\/em>, Harry N.Abrams, New York, pp.; ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1992<\/h4>\n<ul>\n<li>\n<p>Matilsky, Barbara C.,\u00a0<em>Fragile Ecologies, Contemporary Artists&#8217; Interpretations and Solutions<\/em>, Rizzoli, New York. pgs. 54-55, ill.<\/p>\n<\/li>\n<li>\n<p>Powell, Mary Clare,\u00a0<em>Creativity and Liberation:\u00a0A Study of Women and Artists<\/em>, doctoral dissertation, School of Education, University of Massachusetts, pgs. 65-68, 79-80, l43-l45, 227, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1989<\/h4>\n<ul>\n<li>\n<p>Pittas, Michael John, ed<b>. <\/b><em>&#8220;Contemporary California Competitions&#8221;,<\/em>\u00a0Urban Design International, Vol. 10, 1989, pg. 3.10, ill.&#8221;<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1988<\/h4>\n<ul>\n<li>\n<p>Roth, Moira, ed.,\u00a0<em>Connecting Conversations, Interviews with Bay Area Women Artists,<\/em> Eucalyptus Press, Mills College, Oakland, California, pp. 168-175, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1986<\/h4>\n<ul>\n<li>\n<p>Cheatham, Annie &amp; Powell, Mary Clare,\u00a0<em>This Way Day Break Comes &#8211;\u00a0Women&#8217;s Values And The Future<\/em>, New Society Publishers, Philadelphia, Pennsylvania,\u00a0\u00a0pp. 112, 136, 164, 166, 171-173, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1985<\/h4>\n<ul>\n<li>\n<p>Albright, Thomas, <em>Art In The San Francisco Bay Area 1945-1980<\/em>\u00a0University of California Press, Berkeley, California \u00a0<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1984<\/h4>\n<ul>\n<li>\n<p>Lippard, Lucy,\u00a0<em>Get The Message<\/em>, E.P. Dutton, New York, pp. 42, 43, l26, l46, l47, l56, 318, 320, ill.<\/p>\n<\/li>\n<li>\n<p>Inter,&#8221;<em>Festival D&#8217;In(ter)Ventions-2:\u00a0\u00a0In Memoriam Georges Maciunas<\/em>&#8220;,\u00a0Quebec, Canada, Automne, 1984, pp. 14, 15, ill.<\/p>\n<\/li>\n<li>\n<p>&#8220;<em>Festival D&#8217;In(ter)vention-2:\u00a0\u00a0In Memoriam Georges Maciunas<\/em>&#8220;, Record Album, Inter\/les editions INTERVENTION, 9 Aout 1984, side C<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1983<\/h4>\n<ul>\n<li>\n<p>Roth, Moira, ed., <em>The Amazing Decade &#8211; Women and Performance Art In America 1970-1980<\/em>, Astro Artz, Los Angeles, pp. 134-135, ill.<\/p>\n<\/li>\n<li>\n<p>Lippard, Lucy,\u00a0<em>Overlay,<\/em> Pantheon, 1983, New York, pp. 233-234, ill.<\/p>\n<\/li>\n<li>\n<p>Sussler, Betsy, ed.,\u00a0&#8220;<em>Art May Be The True Form of Disarmament<\/em>\u201d,\u00a0\u00a0Bomb Magazine, No. 6, pg. 76, ill.<\/p>\n<\/li>\n<li>\n<p>Hell, Ter,&#8221;<em>Generics&#8230;<\/em>&#8220;,\u00a0Catalog, Neuer Berliner Kunstverein, Galerie Fahnemann, May, 1983, pp. 14, 18, 20, 22, (German and English)<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1981<\/h4>\n<ul>\n<li>\n<p>Lippard, Lucy,\u00a0<em>&#8220;Gardens: Some Metaphors For A Public Art&#8221;,<\/em>\u00a0Art In America, November, 1981, pp. 145-148, ill.<\/p>\n<\/li>\n<li>\n<p>Burnham, Linda Frye,\u00a0<em>&#8220;Between The Diaspora And The Crinoline&#8221;,\u00a0High Performance,<\/em><b style=\"line-height: 1.5em;\">\u00a0<\/b><span style=\"line-height: 1.5em;\">Los Angeles, Fall, l98l, pp. 49-71, ill. interview<\/span><\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1980<\/h4>\n<ul>\n<li>\n<p>Foley, Suzanne,\u00a0<em>Space, Time, Sound &#8211; Conceptual Art in the San Francisco Bay Area: The 70&#8217;s,\u00a0<\/em>San Francisco Museum of Modern Art, Catalog, 1980, pp. 26, 29, 32, 38, 80-85, 135-199, ill.<\/p>\n<\/li>\n<li>\n<p>Loeffler, Carl, ed.,\u00a0<em>Performance Anthology:\u00a0\u00a0Source Book For A Decade of California Performance Art,\u00a0<\/em>Contemporary Art Press, pp. 29, 44, 46, 75, 91, 92, 234, 235, 380, 381, ill.<\/p>\n<\/li>\n<li>\n<p>Drewes, Caroline,\u00a0<em>&#8220;The Farm&#8221;<\/em>, S.F. Examiner,\u00a0August 6, l980, pg. l, Section E, ill.<\/p>\n<\/li>\n<li>\n<p>Lippard, Lucy,\u00a0<em>&#8220;Issue &amp; Taboo&#8221;,<\/em>\u00a0Institute of Contemporary Art, London, England, Catalog, Issue, 1980, pg 9<\/p>\n<\/li>\n<li>\n<p>Roth, Moira<b>, <\/b><em>&#8220;The California Sensibility &#8211; A Star Is Born&#8221;,<\/em>\u00a0Performing Arts Journal\/12, Vol. 4, number 3, l980, Cover &amp; pg. 3<\/p>\n<\/li>\n<li>\n<p>Greene, Herb, <em>Building To Last:\u00a0\u00a0Architecture As Ongoing Art<\/em>, Architectural Book Publishing Co., New York<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1979<\/h4>\n<ul>\n<li>\n<p>Feretti, Hollister,\u00a0<em>&#8220;Along The Tokaido&#8221;<\/em>, Mainichi Daily News, Tokyo, Japan, September l0, l979, pg. 6, ill.<\/p>\n<\/li>\n<li>\n<p>Gilliam, Harold,\u00a0&#8220;<em>A Battle Of Open Space Out On Potrero<\/em>&#8220;, This World\u00a0\u00a0S.F.Sunday\u00a0Examiner &amp; Chronicle,\u00a0July 8, 1979, pg. 41, ill.<\/p>\n<\/li>\n<li>\n<p>Albright, Thomas,<b>\u00a0<\/b><em>&#8220;Rural Architecture Near Army Street&#8221;,\u00a0\u00a0<\/em>San Francisco Chronicle,\u00a0December 4, 1979, pg. 57<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1978<\/h4>\n<ul>\n<li>\n<p>Roth, Moira,\u00a0<em>&#8220;Toward A History of California Performance:\u00a0\u00a0Part l&#8221;,\u00a0<\/em>Arts Magazine, February, 1978, pp. 100, 101, ill.<\/p>\n<\/li>\n<li>\n<p>Doss, Margot-Patterson,\u00a0<em>&#8220;The Freeway Farm &#8211; San Francisco At Your Feet&#8221;,\u00a0<\/em>Sunday\u00a0Punch, S.F. Examiner &amp; Chronicle,\u00a0July 9, 1978, pg. 32, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1977<\/h4>\n<ul>\n<li>\n<p>Butler, Katy, &#8220;<em>A Farm Flourishes Beside S.F. Freeway<\/em>&#8220;, San Francisco Chronicle, March 18, 1977, Second Section, pp., 18, ill.<\/p>\n<\/li>\n<li>\n<p>Materials From The National Endowment for the Arts &amp; The Handicapped Information Service, &#8220;<em>Crossroads Community<\/em>&#8220;,\u00a0Washington, D.C.<\/p>\n<\/li>\n<li>\n<p>Ratcliff, Carter,\u00a0&#8220;<em>Report From San Francisco<\/em>&#8220;,\u00a0Art In America, May\/June, 1977, pg.60<\/p>\n<\/li>\n<li>\n<p>Waugh, Dexter,\u00a0&#8220;<em>A Graduation Party &#8211; New Milestone For The Farm<\/em>&#8220;,\u00a0\u00a0S.F. Examiner,\u00a0November 7, 1977, pg. 9, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1976<\/h4>\n<ul>\n<li>\n<p>Lippard, Lucy, <em>From The Center<\/em>, E.P. Dutton, l976, p. 47, ill.<\/p>\n<\/li>\n<li>\n<p>Laughingbird,\u00a0<em>&#8220;Building A Farm Under The Freeways&#8221;<\/em>, Environmental Action Bulletin, Rodale Press, January 10, 1976, vol. 7, pp. 1, 3<\/p>\n<\/li>\n<li>\n<p>Frankenstein, Alfred,\u00a0&#8220;<em>An Exhibition of Hay and Herbs<\/em>&#8220;, S.F. Chronicle, December 9, 1976, pg. 62, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1975<\/h4>\n<ul>\n<li>\n<p>Thompson, Jennifer L.,\u00a0&#8220;<em>Art Blooms South of Market<\/em>&#8220;, San Francisco Magazine, May, 1975, pp. 40, 41, 128, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1974<\/h4>\n<ul>\n<li>\n<p>San Francisco Magazine<b>, <\/b><em>&#8220;SECA&#8221;,<\/em>\u00a0April, 1974, pg. S-36, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1973<\/h4>\n<ul>\n<li>\n<p>Dunham, Judith L.,\u00a0<em>&#8220;The Four&#8221;<\/em>, Artweek, January 28, 1973, pp. 1, 12, ill.\u00a0<\/p>\n<\/li>\n<li>\n<p>Belard, A. &amp; Fox, L.,\u00a0&#8220;<em>All Night Sculptures<\/em>&#8220;, Artweek,\u00a0May 26, 1973, pg. 3, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1972<\/h4>\n<ul>\n<li>\n<p>Lambie, Alec, &#8220;<em>Things Are Not As They Seem:\u00a0\u00a0An Interview With Bonnie Sherk<\/em>&#8220;,\u00a0Artweek,\u00a0March 25, 1972, pg. 3, ill.<\/p>\n<\/li>\n<li>\n<p>McCann, Cecile N.,\u00a0&#8220;<em>Sources of Art<\/em>&#8220;, Artweek,\u00a0March 4, 1972, pg. 5, ill.<\/p>\n<\/li>\n<li>\n<p>Newport Harbor Art Museum,\u00a0&#8220;<em>The San Francisco Performance<\/em>&#8220;, ed. Tom Marioni, catalog, March 12 &#8211; April 16, 1972, Performance called: &#8220;<em>Traditional Performances:\u00a0\u00a0A Piece Within A PieceWithin A Piece, etc<\/em>.&#8221;,\u00a0\u00a0videotape available by George Bollin.<\/p>\n<\/li>\n<li>\n<p>Artweek, &#8220;<em>San Francisco Performances<\/em>&#8220;,\u00a0April 8, l972, pg. 4<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1971<\/h4>\n<ul>\n<li>\n<p>Mademoiselle Magazine,\u00a0<em>&#8220;Mademoiselle&#8217;s Young Women of the Year&#8221;<\/em>, January, 1971, pp. 60, 63, 41, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1970<\/h4>\n<ul>\n<li>\n<p>Albright, Thomas,\u00a0<em>&#8220;Parks That Hop, Skip, and Moo&#8221;<\/em>, San Francisco Chronicle, pg. 16,\u00a0June 24, 1970, ill.<\/p>\n<\/li>\n<li>\n<p>Albright, Thomas,\u00a0<em>&#8220;Freeway Sprouts A Park&#8221;,<\/em> San Francisco Chronicle, pg. 4,\u00a0June 26, 1970, ill<\/p>\n<\/li>\n<li>\n<p>Hager, Phillip,\u00a0<em>&#8220;Award Winning Idea &#8211; Artist Creates Portable Park For Downtown SF Freeways&#8221;,<\/em>\u00a0Los Angeles Times,\u00a0June 26, 1970, p. 3, ill.<\/p>\n<\/li>\n<li>\n<p>S.F.\u00a0Sunday\u00a0Examiner &amp; Chronicle,\u00a0<em>&#8220;Park For A Day&#8221;,<\/em>\u00a0June 28, 1970, Section A, pg. 3, ill.<\/p>\n<\/li>\n<li>\n<p>Tarshis, Jerome,\u00a0<em>&#8220;Portable Parks Project l-lll&#8221;,<\/em>\u00a0ArtForum V.9, October, 1970, pg. 84, ill.<\/p>\n<\/li>\n<li>\n<p>Sunset Magazine,\u00a0<em>&#8220;Community Action &#8211; San Francisco&#8217;s Experiment..Portable Parks Downtown&#8221;, <\/em>August, 1970, pg. 24, ill.<\/p>\n<\/li>\n<li>\n<p>S.F. Examiner, <em>&#8220;Snowballs Fly At Art Museum&#8221;, <\/em>October 15, pg 11, ill. \u00a0 \u00a0\u00a0<\/p>\n<\/li>\n<li>\n<p>Caen,Herb,<em>\u00a0&#8220;The Foibulous People&#8221;<\/em>, S.F. Chronicle, October 15, pg. 27<\/p>\n<\/li>\n<li>\n<p>Artweek,\u00a0<em>&#8220;SECA Award&#8221;,<\/em>\u00a0May 2, 1970, pg. 3<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3><b>Selected Articles, Book Chapters &amp; Art\u00a0<\/b><b>By Bonnie Ora Sherk<\/b><\/h3>\n<h4>\u00a0<\/h4>\n<h4>2013<\/h4>\n<ul>\n<li>\n<p>\u00a0\u00a0Sherk, Bonnie Ora,\u00a0<em><a href=\"http:\/\/www.youtube.com\/watch?v=et18QGE8eBI\" target=\"_blank\" rel=\"noopener\">A Living Library:\u00a0\u00a0Cultivating The Human &amp; Ecological Garden<\/a><\/em>, Narrated Powerpoint Presentation<span style=\"text-decoration: underline;\"><br \/><\/span><\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie Ora,<em><strong>\u00a0<\/strong><\/em>A Living Library Promotes Sustainable Development And Health,\u00a0Centerpoint Now,\u00a0in affiliation with United Nations,\u00a0<em>Sustainability<\/em>, pg. 148, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2012<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>Nature (Documents of Centemporary Art Series),\u00a0<\/em>Edited by Jeffrey Kastner, Whitechapel Gallery Ventures Limited, Extract from\u00a0<em>Crossroads Community (the farm),<\/em>\u00a0Center for Critical Inquiry Position Paper, 1<sup>st<\/sup>\u00a0International Symposium, San Francisco Art Institute, November,1977<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2011<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>Bernal Heights Living Library &amp; Think Park Nature Walk,<\/em> New Bernal\u00a0Journal, August-September 2011, Vol. 48, Number 4, page 10<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2010<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie, Clary, Jennifer, Schemmerling, Carole-\u00a0<em>A Watershed Moment for SF Creeks,<\/em> San Francisco Chronicle, OP-Ed Page, Open Forum, April 16, 2010<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2009<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie <em>\u201cThe He(Art) of the Matter: Cultivating the Human &amp; Ecological Garden&#8221;;\u00a0<\/em>UNDPI\/NGO 61<sup>st<\/sup>\u00a0&amp; 62<sup>nd<\/sup>\u00a0Conference Journal, September 2008, 09, with UNESCO, Paris, France &amp; Mexico City, Mexico, pg. 117, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2007<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>Position Paper:\u00a0\u00a0Crossroads Community (the farm),\u00a0<\/em>Art &amp; Social Change, Tate Publishing, London, Extract from Paper at First International Symposium of Center For Critical Inquiry, SFAI, 1977<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>\u201cA Living Library &amp; Think Park:\u00a0Place-Based, Ecological Transformation of Schools &amp; Communities\u201d,\u00a0<\/em>Celebrating NGO\u2019s:\u00a0\u00a060 Years With The United Nations, 60<sup>th<\/sup>\u00a0Annual NGO-DPI Climate Change Conference,\u00a0September 5-7, pgs. 42-43, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2006<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie\u00a0<em>\u201cA Living Library: A Global Network of Diversity &amp; Commonality\u201d,<\/em> United Nations Website, UN Chronicle Online, December, 2006<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2005<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie, <em>\u201c<\/em><em>A Living Library: A Global Network of Diversity &amp; Commonality\u201d<\/em><b>\u00a0<\/b>Centerpoint Now, Commemorative Journal for 60<sup>th<\/sup>\u00a0Anniversary of United Nations,\u00a0September, 2005, World Council of Peoples for the United Nations, United Nations, NY<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2002<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie<em>, \u201cCreating A Living Library &amp; Celebrating The Human Garden\u201d,\u00a0<\/em>New Horizons For Learning, New Horizons Online Journal, Vol. V111 No.1 Winter 2002<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>2000<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie<b>,<\/b><em> \u201cSmithsonian Computerworld Case Study \u2013 A Living Library, Think Park, &amp; Life Frame\u201d,<\/em> on-line collection &amp; Permanent Research Collection, Smithsonian Museum of American History, Washington, DC<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>\u201cViewpoints\u201d,<\/em> Friends of the Urban Forest Quarterly Newsletter for Bay Area Tree Enthusiasts, Summer, 2000, pg. 6<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1997<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;A New Opportunity For Multimedia Developers:\u00a0\u00a0The Landscape-Based Edutainment Center &#8211; A Living Library<\/em>&#8220;,\u00a0\u00a0MDG.org Bulletin, Summer, 1997,Volume 5, No.3, Leslie Mattison, ed, pg.8, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1996<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Preliminary Suggested Conceptual Site Plan To Revitalize The San Francisco Civic Center&#8221;,<\/em>\u00a0Camerawork Journal, Fall\/Winter 1996, Vol. 23, No.2, Beth Goldberg, ed., pp. 17-19, ill.<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Land Between Two Rivers:\u00a0\u00a0A Conceptual Assyrian Garden- One of Many International\/Multicultural Gardens Proposed to Rivitalize The Civic Center of San Francisco&#8221;,\u00a0<\/em>Argonaut Press, Warren Hinckle, ed., April, 1996, Vol. 141, No. 4218, pg. 9, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1995<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;A Living Library:\u00a0\u00a0New Model for Global Electronic Interactivity and Networking in the Garden&#8221;,<\/em>\u00a0The Luminous Object:\u00a0\u00a0video art\/video theory &#8211; Visible Language 29:2, Rhode Island School of Design, Providence, R.I., Hans Breder and Hermann Rappaport, ed. pp. 180-185<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1994<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Creating Interactive Living Libraries of Cultural &amp; Ecological Diversity&#8221;<\/em>, The Healing Dimensions of People-Plant Relations, Mark Francis, Patricia Lindsey, Jay Rice, ed., Center For Design Research, University of California, Davis, pp. 131-150; ill.<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie<b>, <\/b><em>&#8220;Creation of A LIVING LIBRARY&#x2122;: A Planetary Network of Interactive LIFE FRAMES&#x2122;&#8221;<\/em>, Chapter 33, People Plant Relationships:\u00a0\u00a0Setting Research Priorities, Joel Flagler, Raymond Poincelot, ed. Food Products Press, New York, London, Australia, pp. 415-425; ill.<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Creation of A LIVING LIBRARY&#x2122;: A Planetary Network of Interactive LIFE FRAMES&#x2122;&#8221;,\u00a0<\/em>Journal of Home &amp; Consumer Horticulture, Volume 1, Number 4, The Haworth Press, Binghamton, New York, pp. 415-425; ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1993<\/h4>\n<ul>\n<li>\n<p><span style=\"line-height: 1.5em;\">Sherk, Bonnie, <em>&#8220;<\/em><\/span><em>A Living Library Is A School Of The\u00a0Future And An Indoor\/Outdoor Culture-Ecology\u00a0Park&#8221;<\/em><span style=\"line-height: 1.5em;\">, Artweek, Vol.24, Number l8,\u00a0Sept. 24, l993, pg. 15, ill.<\/span><\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1992<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Living Libraries, Life Frames, and The School of the Future: The Evolving Visions of Bonnie Sherk&#8221;,\u00a0<\/em>IS Journal #12, Volume 6 #2 Winter, l992, pgs. 17-24, International Synergy Institute, Santa\u00a0\u00a0Fe, New Mexico<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1991<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Creation of A LIVING LIBRARY:\u00a0\u00a0An International Network of Interactive Life Frames&#8221;,<\/em>\u00a0LEONARDO, &#8220;Art &amp; Telecommunications&#8221; Vol. 24, No. 2 , Spring, l99l, Pergamon Journals, N.Y., Oxford, Beijing<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie, <em>&#8220;A LIVING LIBRARY &#8212; New Uses For Interactive Technologies&#8221;,\u00a0<\/em>The A &amp; A Monthly On Interactive Entertainment, Issue No, 3-01,\u00a0\u00a0January, l99l, Alexander &amp; Associates, Inc., New York, N.Y.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1989<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie, <em>&#8220;Update On A Living Library&#8221;,<\/em> On The Beam, Vol. X, No.l, Fall, l989, New Horizens For Learning, Seattle, Washington<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;A Living Library:\u00a0A New Model For Interactive Learning<\/em>&#8220;, On The Beam, Vol. lX, No. 2, Winter, l989, New Horizens For Learning, Seattle, Washington<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1988<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Interactive &#8216;Life Frames&#8217; as Vehicles for Peace&#8221;,<\/em>\u00a0Places For Peace, Karl Linn, editor, l988 World Congress of International Federation of Landscape Architects, Boston, Massachusetts, pp. 54-57<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,\u00a0\u00a0<em>&#8220;Art is Culture is Nature<\/em>&#8220;, High Performance, Los Angeles, #41-42, pp. 67-68<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1987<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;The Park Or Garden As A Living Library&#8221;<\/em>, Meanings Of The Garden, Center For Design Research, University of California, Davis, pp. 298-308, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1985<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;A Living Library<\/em>&#8220;, Natura\/Cultura, Salerno, Italy, Centro Internazionale MultiMedia, May, l985, pp. 8-9, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1984<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Shrine To Power&#8221;,<\/em>\u00a0Sound\/Art, catalog, The Sculpture Center, New York, May, l984, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1983<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;Artists At Work&#8221;<b>,<\/b><\/em>\u00a0Artist&#8217;s Chronicle, High Performance,#22, l983, pp. 71, 88, ill.<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie, Sussler, Betsy, ed<b>.<\/b><em>, &#8220;Art May Be The True Form of\u00a0Disarmament&#8221;,<\/em>\u00a0\u00a0Bomb Magazine,\u00a0\u00a0No. 6, pg. 76, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1982<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie, &#8220;<em>Artists At Work&#8221;,<\/em>\u00a0Radio Broadcast, KPFA-Berkeley, California, Live from San Francisco Art Institute,\u00a0\u00a0August, l982, 2 hours, in \u00a0KPFA archives<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1981<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,<em> &#8220;Cover Girl&#8221;,<\/em> High Performance, Cover Piece, Fall, l98l<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie, &#8220;<em>Crossroads Community (the farm) Is An\u00a0Alternative To Alternative Art Spaces&#8221;,\u00a0<\/em>Heresies, #13\/ Feminism &amp; Ecology, l98l, pg. 31, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1980<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie, &#8220;<em>Sitting Still &#8211; l<\/em>&#8220;,\u00a0Cover, Performing Arts Journal\/l2, Vol. 4, number 3, Sherk, Bonnie,\u00a0&#8220;<em>I Dreamt I Lived In A Tryptich<\/em>&#8220;, Issue, catalog, Institute of\u00a0\u00a0Contemporary Art, London, England, ill, no pg. numbers<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1979<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;CROSSROADS COMMUNITY (the farm)&#8221;,<\/em>\u00a0prospectus, in collection of SFMOMA<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,<em>\u00a0&#8220;Social Work(s), Sometimes&#8221;,<\/em> Los Angeles\u00a0\u00a0Institute of Contemporary Art, Catalog, Nancy Buchanan, ed., pp. 38-40, ill.<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1977<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0&#8220;<em>The Farm<\/em>&#8220;,\u00a0DATA 27, Milan, Italy, July\/September, l977, pg. 67, ill. (English and Italian)<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1976<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie,\u00a0<em>&#8220;The Farm&#8221;<b>,<\/b><\/em>\u00a0La Mamelle Magazine:\u00a0\u00a0Art Contemporary, no. 5, vol. 2, l976, pg. 32-35, ill.<\/p>\n<\/li>\n<li>\n<p>Sherk, Bonnie,<em>\u00a0&#8220;Excerpt From Aktin Logic &#8212; Volume Two, Chapter 42, &#8216;Life Work'&#8221;<b>,<\/b><\/em>\u00a0La Mamelle Magazine:\u00a0\u00a0Art Contemporary, no. 4,v.l, Spring,l976, pg. l2<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4>1975<\/h4>\n<ul>\n<li>\n<p>Sherk, Bonnie<em>,&#8221;Aktin Logic, Volume Two, THE FARM, Life Work&#8221;,\u00a0<\/em>Vision, ed. Tom Marioni, Crown Point Press, N. 1, Sept., l975, pp. 32-33, ill.<\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Selected\u00a0Articles, Interviews, Catalogs, and Book Excerpts About Founder &amp; Director, Bonnie Ora Sherk &amp; Her Projects: \u00a0 2013 Galpin, Pierre Francois, Independent Curators International Website,\u00a0Cultivating The Human &amp; Ecological Garden:\u00a0\u00a0A Conversation With Bonnie Ora Sherk Cohn, Teri, SFAQ, Issue 14,\u00a0Bonnie Ora Sherk, Interview, pgs. 78-83, ill. Smith, Stephanie, Feast:\u00a0\u00a0Radical Hospitality In Contemporary Art, Smart [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"page-sidebars.php","meta":{"slim_seo":{"title":"Bibiliography - A Living Library - Archive Site","description":"\u00a0 Selected\u00a0 Articles, Interviews, Catalogs, and Book Excerpts About Founder &amp; Director, Bonnie Ora Sherk &amp; Her Projects: \u00a0 2013 Galpin, Pierre Francois,"},"footnotes":""},"class_list":["post-5476","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/pages\/5476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/comments?post=5476"}],"version-history":[{"count":12,"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/pages\/5476\/revisions"}],"predecessor-version":[{"id":12151,"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/pages\/5476\/revisions\/12151"}],"up":[{"embeddable":true,"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/alivinglibrary.org\/archive-site\/wp-json\/wp\/v2\/media?parent=5476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}